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Your digital campaign represents your company, it’s the public face of your company. Just like your website, your store, your packaging, your employees, your phone tree (Let’s hope you have none.) Your digital campaign might be the first encounter of a prospect with your brand. Or it might be a visit with an old friend. Have you ever looked at the personality of your digital campaign?

All brands and their agencies design campaigns with best intentions. Sometimes they succeed. Often they fail and end up where they never wanted to go. I’ve been part of those and I’m not proud of my personal train wrecks. Advertising intends to motivate behavior change. Can you be motivated by an unlikeable person to change behavior? Shouldn’t we all try to be more likeable to customers?

Well, let me introduce you to a few of these people brands create every day.

The cheesy salesman

His perfume is cheap and strong, his clothes outdated and loud, and his pitch is annoying and even louder. Whenever you see him, you try to run away as fast as you can. He tries to sell and upsell anything, as long he profits from it: He doesn’t care.

That’s the digital campaign with huge “Buy” or “Click” buttons, takeovers, pop-unders, scams to make you”like” the brand: Any trick in the book is good to make you buy. Or at least to make you show some interest. That’s the least you can do to keep the cheesy salesman employed.

The creepy guy

You meet him at a party, have a brief chat with him and he believes you want to get married to him. Wherever you go, he’s there: At the gym, at work, in your home. He continues to ask the same question: “Why don’t we close the deal?” He’s the guy that makes you feel uncomfortable, a Big Brother always watching. If you could, you would punch him in the face but he might take that as a sign that you want to close the deal.

As a digital campaign, these are the re-targeting slaves. Yes, I showed interest in your airline 1 week ago but that doesn’t mean you need to remind me on every page I visit, thanks to your massive ad network/retargeting buy. A friend might have sent me a link to your offer, I checked it out and didn’t care. Make me care even less by retargeting me 5,012 times. Maybe it works at the 5,013th impression. Who knows?

Paris Hilton

Ok, she looks good. But, ask her what time it is and she needs an assistant because her brain is permanently turned off. Ask her to do anything and she’ll answer with a frozen smile. She’s stupid, she can’t do anything, the world adored her at one point. Oh, did I mention she’s pretty?

As a digital marketing campaign, that’s the flashturbation campaign. So much Rich Media, you can pay the global debt with it. Too bad it doesn’t work on all devices, crashes your computer and serves no conversion purpose. Oh, did I mention it looks pretty?

The cheerleader

Who doesn’t love cheerleaders? Your team sucks, no one in the stands, it’s raining, they ran out of beer and the cheerleader is still smiling, yelling: Go team. They don’t understand why you don’t like their team, why you don’t share the same level of enthusiasm. No matter, in their mind the own team will always be the best. Even though they haven’t won a game in 10 years.

As a digital campaign, this is the campaign that doesn’t get why you wouldn’t “like” their Facebook page even though there’s no reason for you to like it. No value proposition. Why wouldn’t you follow a Twitter stream brimming with promotional messages? Why do you need motivation to change your behavior? Isn’t our presence  motivation enough?

The cheapskate

He’s the guy occupying the parking lot of Best Buy the Wednesday before Thanksgiving. He’s the guy that occupies the coffee shop for hours with an order of a miniature coffee. He’s the guy sitting next to toilet, the guy that gets the worst seat in the bar. He doesn’t care. As long as it’s cheap, he’s happy.

The digital campaign you don’t see. Cheap inventory equals invisibility. Banner ads below the fold on sites you don’t dare visiting because they look like malware-infested 1990 designs. The cheapskate loves the cheesy sales guy on the publisher site. It’s a mutual feeling: the sales guy sells garbage and the cheapskate sifts through it, filled with happiness.


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This column appeared first on Jack Myers’ MediaBizBloggers site

Kirk McDonald, President, Digital, Time Inc. keynoted at the iMedia Agency Summit in sunny Phoenix and predicted the next decade will be the age of storytelling.

Why?

The pendulum that swings between art and science in advertising has moved too far to the science part of advertising in the past decade. We have focused on making markets more efficient and not focus enough on moving markets. While there’s a good case to be made to introduce algorithms into advertising, we have gone too far. We forgot that advertising is about people with lives and soul and energy, and we have to re-focus our efforts on developing creative ideas and innovation in advertising to make meaningful connections with people. While a good delivery mechanism is vital to deliver relevant messages to people, we have to put as much (or even more energy) in crafting messages that connect more with the heart and soul of people.

We have to stop the race to the bottom

While his message is clearly self-serving (publishers can’t live on CPM rates of $0.23), it still rings very true. For years, the digital marketing community has been engaged in a race to the bottom. The problem when you race to the bottom: The winner is still at the bottom. For the advertising community to find its footing again, we need to reverse that trend and race to the top again. Connect with the heart and soul of people. Tell stories they want to share. Tell stories that inspire them. Listen to the stories of people and share them with the world. New tools and platforms allow advertisers to co-create and collaborate with people. This is a unique opportunity. The industry is at crossroads: It is our responsibility to stay away from the pull of short-term gains and focus on the long-term health of the advertising industry. And regain its soul again.